Leah Ollman has written about the visual arts for more than thirty years. Her work has appeared in the Los Angeles Times, Art in America, Photograph, The Brooklyn Rail and numerous other publications.
She edited the anthology, Ensnaring the Moment: On the Intersection of Poetry and Photography, published by Saint Lucy Books in 2025.
Books and exhibition catalogues featuring her writing include Klea McKenna: Witness Mark, Betye Saar: Serious Moonlight, Alison Rossiter: Expired Paper, William Kentridge: Weighing...and Wanting, Julie Blackmon: Midwest Materials, The Photographs of John Brill, Michal Chelbin: Strangely Familiar, and Camera as Weapon: Worker Photography Between the Wars.